In these works, the geometric mapping of the polder landscape is placed in relation to the Zuiderzee, a bay which no longer exists. Elements of 20th-century abstract art enter into a pictorial dialogue with 17th-century maritime painting. The works in this series are characterized by complex and multi-layered compositions. In the foreground, individual PVC tubes filled with colored water from the IJsselmeer are stretched across the picture surface. Behind them is a glass plate with an abstract composition in the style of Piet Mondrian, whose geometric arrangement also evokes associations with the cartographic grid structures of polder landscapes. Unpainted areas of the glass surface reveal a wavy mirror mounted behind it. This reflects reproductions of 17th-century seascapes, which have been applied to the back of the glass plates inside old picture frames. The three-dimensional wooden frames create pronounced depth, while the distorted maritime scenes appear as fragmented, fleeting memories from a bygone era.